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Mechanisms of Creative Dialogue with the World

Sergey L. Markov. Mechanisms of Creative Dialogue with the World

Markov, S. L. (1997) Mechanisms of Creative Dialogue With the World. Paper presented at the 105th annual meeting of the American Psychological Association, August 17, 1997. Chicago, IL.

Abstract. The variant of theoretical framework that helps to harmonize and simplify modern creativity theory is suggested. The given conception is based on the idea of universal nature of creativity, and the existence of definite invariant evolutionary principles and mechanisms. 
The framework is built on such universal categories as Interaction, Dialogue and Game. The answer to the question is not only “Where is? “, but both “How is?” creativity is proposed . Thus a hierarchical system of mechanisms is outlined to account for the creative dialogue that may occur between personality and the objective world. It is proposed that every level of creative interaction manifests itself through opposite, mutual complement pairs. These interactions constitute the workings of the mechanisms and include:
The axiological (Idealization vs. Problematization), cognitive (Decentration vs. Simplification), emotional (Identification vs. Meditation), behavioural (Self-actualization vs. Personification).
This unified system of opposite mechanisms manifests itself as a “double helix of creativity” and allows to consider process of bringing into existence as an assembly of complement elements and constructing to the whole.
The system of connected mechanisms allows the creative vision. It is an integral part of the creative attitude toward the world. It can serve as an effective method for the finding and solving of diverse life problems and conflicts, as a method of stimulating creative activity, or as a form of creative self-training and meditation.
Key words: framework for creativity, theories of creativity, creative dialogue, creative mechanisms, double helix of creativity

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